Pelléas et Mélisande review – luminous semi-staging but Debussy’s elusive opera keeps its secrets

Trying to unlock the secrets of Debussy’s opera Pelléas et Mélisande, based on Maeterlinck’s symbolist play, is a slippery task at the best of times. Doing so in a barely there staging, with the orchestra on the platform with the singers, is even trickier. For the opening performance of this summer’s Aldeburgh festival, that was…

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