Tate at a turning point: new director must confront unwieldy ‘beast’ of an art institution
Roland Rudd, the chair of Tate, is in a bullish mood when we meet at his offices in the Adelphi Building, which sits on the Thames between the art institution’s two London sites. “Things have never been better,” he says. It’s a rebuff to any suggestion that the organisation is in flux – and, as…
